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Elvis’s 80th Birthday

10 Saturday Jan 2015

Posted by David Bowling in Record World News

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Elvis Presley, Elvis's 80th

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January 6, 2015 — Legacy Recordings, the catalog division of Sony Music Entertainment, will commemorate the upcoming 80th birthday of Elvis Presley on January 8 with a variety of events, activities and digital initiatives celebrating the King of Rock & Roll.

 

 

  • On January 6, RCA/Legacy will release Elvis Presley’s The Complete ’60s Albums Collection Vol. 1 on iTunes.  Newly Mastered for iTunes, all titles were originally released from 1960 to 1965 and will be available individually or in The Complete ’60s Albums Collection Vol. 1 bundle.  Included are: Elvis Is Back, G.I. Blues, His Hand In Mine, Something For Everybody, Blue Hawaii, Pot Luck, Girls! Girls! Girls!, It Happened At The World’s Fair, Elvis’ Golden Records Vol. 3, Fun In Acapulco, Kissin’ Cousins, Roustabout, Girl Happy, Elvis For Everyone and Harum Scarum.

 

  • Elvis fans around the world are being called on this week to help create the official #Elvis80: The Fan Favorites Playlist, generated from the 80 most streamed Elvis tracks on Spotify this week until January 8, when #Elvis80: The Fan Favorites Playlist will be revealed.  Follow Elvis Presley on Spotify for updates all year long .

 

  • A newly designed website, www.ElvisTheMusic.com will launch on January 8, 2015, offering fans an official and comprehensive online destination for all things relating to Elvis’ musical legacy.

 

  • On January 8, Graceland, Elvis Presley’s fabled home in Memphis, will host an Elvis 80th birthday celebration with Priscilla Presley. Fans who are unable to attend can watch the ceremony live at 10:15 am ET / 9:15 am CT via the Graceland Livestream at http://new.livestream.com/ElvisPresleyGraceland/ElvisBirthdayCeremony .

 

  • “Direct From Graceland: Elvis at the O2,” the largest Elvis retrospective ever mounted in Europe, opened on Friday, December 12 in London and is slated to run for a minimum of nine months.  An exclusive 2CD collection is being created for the exhibition, and will be sold in the retail store within the exhibit.

 

  • Elvis fans will be able to continue celebrating the king’s legacy with a new project coming this summer that features Elvis like he has never been heard before.

 

 

DEFINITIVE COLLECTION OF STAX RECORDS’ Singles To Be Reissued

14 Sunday Dec 2014

Posted by David Bowling in Record World News

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Stax

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DEFINITIVE COLLECTION OF STAX RECORDS’
SINGLES TO BE REISSUED
 
Two volumes, due out December 16, 2014
and Spring 2015, cover 1968-1975.
Volumes to be made available digitally for first time.

The Staple Singers with Booker T. & the MGs
LOS ANGELES, Calif. — Concord Music Group and Stax Records are proud to announce the digital release and physical reissue of two comprehensive box set titles:  The Complete Stax/Volt Soul Singles, Vol. 2: 1968-1971 and The Complete Stax/Volt Soul Singles, Vol. 3: 1972-1975. Originally released in 1993 and 1994, respectively, these two compilations will be re-released back into the physical market in compact and sleek new packaging. Each set includes full-color booklets with in-depth essays by Stax historian and compilations co-producer Rob Bowman. The volumes feature stalwart Stax R&B artists including Isaac Hayes, the Staple Singers, Rufus Thomas, Johnnie Taylor, Carla Thomas, the Bar-Kays and William Bell, as well as bluesmen Little Milton, Albert King and Little Sonny, and “second generation” Stax hitmakers like Jean Knight, the Soul Children, Kim Weston, the Temprees, and Mel & Tim. Many of the tracks included in these collections will be made available digitally for the very first time.
 
The story of the great Memphis soul label Stax/Volt can be divided into two distinct eras: the period from 1959 through the beginning of 1968, when the company was distributed by Atlantic and was developing its influential sound and image (chronicled in acclaimed 9-CD box set The Complete Stax/Volt Singles 1959-1968, released by Atlantic in 1991); and the post-Atlantic years, from May 1968 through the end of 1975, when Stax/Volt began its transition from a small, down-home enterprise to a corporate soul powerhouse.

Eddie Floyd
In Stax’s early years as an independent label, founders Jim Stewart and Estelle Axton struggled with the loss of its back catalog to Atlantic/Warner Brothers Records and the loss of the label’s most lucrative artist, Otis Redding, who tragically died in a plane crash months before. In need of funding and new stars, Axton and Stewart sold the label to Gulf + Western, bringing on promotion head Al Bell (who would soon become an equal partner and major figurehead of the label). In his Vol. 2 essay, Rob Bowman recalls, “As the sun arose in Memphis on May 6, 1968 [the day Stax officially became independent of Atlantic], Stax had been essentially gutted. For all intents and purposes it was a new record company poised to issue its first few records.”
Comprised of nine CDs, Vol. 2 focuses on this period, 1968 through 1971, when Stax/Volt was forging ahead as its own entity. The 216-song collection includes all of the singles issued by the label during this time period, and features some of the biggest and best-loved hits of the day, including Isaac Hayes’ “Theme From Shaft,” The Staple Singers’ “Respect Yourself” and Johnnie Taylor’s “Who’s Making Love,” as well as a number of little-known gems by both major and less-familiar artists . 

Eddie Floyd
By the end of 1971, Bowman notes, “Al Bell’s dream of [Stax/Volt] becoming a diversified full-line record company was several steps further along the line to being reality. The label now recorded a wealth of different styles and flavors of black popular music, ranging from the jazz and easy-listening proclivities of Isaac Hayes to the blues of Little Milton to the ’ 70s disco-infused vocal style of the Dramatics to the gutsy soul of the Staple Singers.” Indeed, the early 1970s found Stax/Volt a much bigger entity than ever thought possible during its initial split from Atlantic, with Isaac Hayes as its breakout star. Spurred by the success of Hayes’ GRAMMY Award-winning Shaft soundtrack in early 1972, the label was casting its net across a wide cross section of the entertainment industry, entering into new territory with soundtracks, comedy records, and even investing in a Broadway play. The Complete Stax/Volt Soul Singles, Vol. 3: 1972-1975, out coming Spring 2015, covers this era of success and excess, when Stax’s stars were shining bright, but the label was on the verge of its dramatic denouement. The 10-disc box set contains all 213 soul singles issued by Stax/Volt during this time, including such hits as Shirley Brown’s “Woman to Woman” and the Staple Singers’ “I’ll Take You There.

Shirley Brown
In 1976, faced with involuntary bankruptcy and an unsuccessful distribution deal with CBS Records, Stax was forced to close its doors. In his liner notes for Vol. 3, compilation co-producer Bill Belmont writes, “Stax’s difficult and inglorious end in no way diminishes its vital contributions to rhythm and blues and soul. Today, the music of Stax maintains a strong and steady presence, heard continually in cover versions by major artists, in movies and on television. Simply put, the Memphis Sound lives.” And indeed it does.
With a revival of the label in recent years, through Fantasy Records, the 2003 opening of the Stax Museum of American Soul Music in Memphis, Tenn., as well as several developing theatrical performances around the label, the music of Stax will continue to influence generations of musicians and fans alike.
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THE BRITISH INVASION 50th ANNIVERSARY TOUR

14 Sunday Dec 2014

Posted by David Bowling in Record World News

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Billy J Kramer, British Invasion, Chad & Jeremy

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THE BRITISH INVASION 50th ANNIVERSARY TOUR
HITS THE EAST COAST AND MIDWEST
FEBRUARY 22 – MARCH 8
Tour features iconic singers of the legendary 1960s music revolution including Peter Asher (of Peter & Gordon), Denny Laine (of the Moody Blues and Wings), Chad & Jeremy,
B illy J. Kramer, Mike Pender’s Searchers,
and Terry Sylvester (of the Hollies)
LOS ANGELES, Calif. — Pop culture was changed forever in 1964-65 by the arrival of the British Invasion pop artists on American shores. Some 50 years later, a  quorum of iconic singers of the legendary 1960s music revolution will tour the U.S., from February 22 until March 8, 2015.
Slated to appear together on one stage are Peter Asher (of Peter & Gordon), Denny Laine (of the Moody Blues and Wings), Chad & Jeremy,
 Billy J. Kramer, Mike Pender’s Searchers,
 and Terry Sylvester (of the Hollies). Asher will serve as master of ceremonies.
 “ The British Invasion 50th Anniversary Tour” commemorates the Beatles’ momentous arrival on these shores. It was the start of the British Invasion, and in the wake of massive mop-top pop hysteria, all of the participants in this incredible concert experience dominated the music world and scored more than 40 worldwide Top 40 hits. Their sound and look changed popular culture forever, and now they are back to celebrate and honor some of the greatest songs of the 20th century.
The artists are ably supported by a four-piece backing band faithfully recreating the classic sound of the vintage recordings, and a full multimedia video package highlighted by rarely seen footage and incredible archival ephemera. The experience is completed by unique clips of the era’s other fab combos, shown pre-show and during intermission, making this a fully themed evening of entertainment.

According to co-promoter Andrew Sandoval, “ For a fan, this tour is the finest representation possible of the artists and music that touched so many of our lives from the explosive British Invasion. Each show is like a brilliant trip back in time.”

The dates:
Sun., Feb. 22  ANNAPOLIS, MD  Rams Head Onstage
Wed., Feb 25  RAHWAY, NJ  Union County Performing Arts Center
Thurs., Feb. 26  BOSTON, MA  Wilbur Theatre
Fri., Feb. 27  LANCASTER, PA  American Music
Sat., Feb. 28 TARRYTOWN, NY  The Tarrytown Music
Sun., March 1 ALEXANDRIA, VA  Birchmere
Wed., March 4  KENT, OH  The Kent Stage
Fri., March 6  MILWAUKEE, WI  Pabst Theater
Sat., March 7  CHICAGO, IL City Winery
Sun, March 8  MINNEAPOLIS, MN  Pantages Theater
The artists:
Peter Asher  is a legendary music producer (James Taylor, Linda Ronstadt) and manager, but his first path in song was as one half of the chart-topping duo Peter & Gordon. Asher brings a rare insight into the music as the host of the evening, and his performance of his many 1960s hits marks a truly rare outing for one of the key figures in popular music. None other than Paul McCartney, who shared a close association with Peter throughout the 1960s, penned several of Peter & Gordon’s hits.
Denny Laine , another McCartney mainstay,  broke out of Birmingham with a Top 10 hit, “Go Now,” as a member of the Moody Blues. He went on to find further success as a songwriter (“Say You Don’t Mind” for Colin Blunstone of the Zombies), and in the ’70s became McCartney’s right hand man in Wings, scoring 24 Top 40 hits, including six #1 singles. Wings became one of the biggest selling groups of all time.
Chad Stuart & Jeremy Clyde  were another successful duo of the era, bringing a modern twist to classic two-part vocal harmony. They hold the distinction of being one of the few British outfits to take up residence in the United States at the height of their popularity. This allowed them to appear individually and collectively on such television programs as Batman, The Dick Van Dyke Show, The Patty Duke Show, My Three Sons, Laredo and The Dating Game, passing into pop culture fame. Their esteemed songwriting embraces traditional folk, sunshine pop and visionary psychedelia; their blend is timeless.
Billy J. Kramer  was Brian Epstein’s legendary protégé and in fact the first true British Invader (since his first visit to America pre-dates that of the Beatles). This Liverpudlian’s recordings were produced by George Martin and several were penned by John Lennon & Paul McCartney. Few others can claim to be as close to the epicenter of the first wave of British music to conquer America.
Mike Pender  was the voice of the Searchers, one of the most influential bands to come out of Liverpool in the early 1960s. Pender also played the trademark jangly Rickenbacker twelve-string riffs on such quintessential hits as “Needles and Pins,” which gave way to the West Coast folk-rock revolution closely identified with the Byrds. Along the way the Searchers popularized the songs of such writers as Jackie DeShannon, P.F. Sloan, Jack Nitzsche and Tony Hatch.
Terry Sylvester  was a member of two legendary Liverpool bands  —  the Escorts and the Swinging Blue Jeans  —  before replacing Graham Nash in the Hollies. Sylvester’s time in the Hollies coincided with their greatest U.S. chart success and he remained a member of the group through the 1970s. He brings an incredibly cheeky and cheerful energy to the concert stage, as well as authentic beat group credibility.
The British Invasion Tour  is is produced by Keith Putney and Andrew Sandoval and booked by the Agency Group. Focusing on presenting all of the hits, plus the most creative archival multimedia currently in production, these shows are without equal in the package circuit.

Among the songs audiences might expect to hear:
Peter Asher (of Peter & Gordon)
“A World Without Love”
 “Nobody I Know”
 “I Don’t Want To See You Again” “I Go To Pieces”
“True Love Ways”
“Woman”
 “Lady Godiva”
 “Knight in Rusty Armour”
Chad & Jeremy
“Yesterday’s Gone”
 “A Summer Song” “Willow Weep For Me” “If I Loved You” “Before And After”
“I Don’t Wanna Lose You Baby” “Distant Shores”
Mike Pender’s Searchers
“Needles and Pins” 
“Sugar and Spice”
“Don’t Throw Your Love Away” “Someday We’re Gonna Love Again” “When You Walk in the Room” “Love Potion Number Nine”
 “What Have They Done to the Rain” “Bumble Bee”
Terry Sylvester of the Hollies & Swinging Blue Jeans
“Sorry Suzanne” 
“He Ain’t Heavy, He’s My Brother” “You’re No Good”
“Hippy Hippy Shake”
Billy J. Kramer
“Little Children”
 “Bad to Me”
“I’ll Keep You Satisfied”
 “From a Window”
 “Do You Want To Know a Secret”
Denny Laine of The Moody Blues
“Go Now”
 “Say You Don’t Mind”

Jackson Browne Tour And New Album Coming Your Way

26 Saturday Jul 2014

Posted by David Bowling in Record World News

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Jackson Browne, Standing In The Breach

a14Singer-songwriter Jackson Browne announces fall tour dates in the U.S and U.K to support his new studio album, Standing In The Breach, scheduled for release on October 6 (international) and 7 (U.S.). The fall shows with Jackson and his band begin on September 14 at the Kennedy Center in Washington, D.C. and end on November 24, at London’s Royal Albert Hall. The new studio album can be pre-ordered with each purchased concert ticket, and is also available for pre-order now thru Amazon and digitally thru iTunes.  Advance concert tickets are on sale this week. Details are available at www.jacksonbrowne.com.

Accompanying Jackson on the road this fall are longtime band mates Val McCallum (guitar), Mauricio Lewak (Drums), Jeff Young (keyboards) and Bob Glaub (bass), with the addition of acclaimed multi-instrumentalist Greg Leisz (guitar, lap steel, pedal steel).

Standing In The Breach , Jackson’s fourteenth studio album, is a collection of ten songs, at turns deeply personal and political, exploring love, hope, and defiance in the face of the advancing uncertainties of modern life.

“This is my ideal band, with some of my favorite players, all of whom appear on the new CD, and whose combined gifts provide the musical foundation and emotional underpinnings of my new songs,” says Jackson. “The interplay between Val McCallum and Greg Leisz on this album – the effortlessness of their chemistry is a gift really, that just dropped into my lap. I feel fortunate to have them out on the road for this tour.”

Currently, Jackson Browne is on a solo tour thru August 23rd, with two (2) band shows on August 4 and 5, in a co-bill with John Fogerty at PNC Bank Arts Center (Holmdel, NJ) and Jones Beach (Wantagh, NY).

For more information, visit http://www.jacksonbrowne.com

SUMMER 2014 TOUR DATES:

Solo Acoustic

July 15 – Riverside Theater – Milwaukee, WI

July 16 – Overture Center for the Arts – Madison, WI

July 18 – State Theater – Minneapolis, MN

July 19 – Paramount Theatre – Cedar Rapids, IA

July 21 – Orpheum – Wichita, KS

Full Band Shows

August 4 – PNC Bank Arts Ctr (with John Fogerty) – Holmdel, NJ

August 5 – Nikon At Jones Beach (with John Fogerty) – Wantagh, NY

Solo Acoustic

August 9 – State Theatre Center for the Arts – Easton, PA

August 11 – Artpark – Lewistown, NY

August 13 – The Landmark Theatre – Syracuse, NY

August 14 – The Palace Theatre – Albany, NY

August 16 – Boston Opera House – Boston, MA

August 17 – Merrill Auditorium – Portland, ME

August 19 – Capitol Center – Concord, NH

August 20 – Providence PAC – Providence, RI

August 22 – Toyota Presents the Oakdale Theatre – Wallingford, CT

August 23 – Hippodrome Theatre – Baltimore, MD

FALL TOUR (U.S)

Full Band

September 14 – Kennedy Center – Washington, DC

September 27 – Newport Folk Fest Presents Way Over Yonder – Santa Monica, CA

October 4 – Strand Capitol Performing Arts Center – York, PA

October 7 – Beacon Theatre – New York, NY

October 10 – Academy of Music – Philadelphia, PA

October 12 – Benedum Center – Pittsburgh, PA

October 14 – Chicago Theatre – Chicago, IL

October 15 – E.J. Thomas Performing Arts Hall – Akron, OH

October 17 – Palace Theatre – Columbus, OH

October 18 – Murat Theatre – Indianapolis, IN

FALL TOUR (U.K.)

Full Band

November 17 – Symphony Hall – Birmingham, UK

November 18 – Bridgewater Hall – Manchester, UK

November 20 – The Sage – Gateshead, UK

November 21 – Royal Concert Hall – Glasgow, UK

November 24 – Royal Albert Hall – London, UK

Cowboy Jack Clement’s Farewell Album Is Released

19 Saturday Jul 2014

Posted by David Bowling in Record World News

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Cowboy Jack Clement

Music Review Jack ClementNashville, TN—Cowboy Jack Clement’s last musical work—titled For Once and For All and produced by longtime cohort Dave “Fergie” Ferguson and Matt Sweeney with T Bone Burnett as executive producer—is the debut release on John Grady’s new I.R.S. Records Nashville label and available today whereever music is sold.
“What an honor it is to be involved with Cowboy’s final record. This is the perfect way to start I.R.S. Nashville,” Grady says. “All the producers and musicians set the tone for this record. Sometimes we should all get together and do the right thing. I hope Jack is proud of us.”
This is Cowboy’s final album, his swan song. There are only three Cowboy Jack Clement records. He didn’t like to rush things. Sometimes he’d wonder what the smartest man in the world might do, and he’d figure the smartest man in the world might just wait things out.
He was 82-years-old when he died on August 8, 2013 and 82 when he finished this song-set with help from friends including John Prine, Emmylou Harris, Bobby Bare, Duane Eddy, T Bone Burnett, Vince Gill, Marty Stuart, Rodney Crowell, Buddy Miller, Dan Auerbach, Leon Russell, Gillian Welch, Dave Rawlings, Dickie Lee, Shawn Camp, Dierks Bentley, Jim Rooney, Jim Lauderdale, Will Oldham, daughter Alison Clement and a bunch of others who loved Cowboy and who Cowboy loved in return. His favorite accordionist, Joey Miskulin, played on “The Air Conditioner Song” and “Baby Is Gone.”
The whole thing is graceful and true, a primer for the unfamiliar, an anointed completion for the acolytes and a joy-filled lesson for those of us who study phrasing, musicality and soul.
Cowboy Jack was American music’s whimsical maverick. He was a singer and producer, a publisher, a best friend to Johnny Cash, Kris Kristofferson and Waylon Jennings. He was a writer of classic songs. He desegregated country music by bringing Charley Pride to popular attention and producing Pride’s first 13 albums for RCA. He was the first to record Jerry Lee Lewis and Roy Orbison, there at the popular birth of rock ‘n’ roll at Sun Records in Memphis.
He made the greatest album of country music’s “Outlaw Movement” when he produced Waylon Jennings’ Dreaming My Dreams. He created the Cowboy Arms Hotel and Recording Spa, Nashville’s first great home studio and the nerve center for what would come to be known as Americana Music.
He co-produced “Angel of Harlem” and “When Love Comes To Town” for an Irish rock band called U2. He inspired John Prine, Dolly Parton, Louis Armstrong, Townes Van Zandt, The Black Keys, Emmylou Harris and oodles more.
“If you unraveled all the threads Jack wove into the tapestry of what made country music great over the last 50 plus years, the whole thing would come apart,” Harris said.
No one unraveled those threads, though, and no one will. Can’t be done. The Cowboy’s tapestry weave is secure and indelible, and his import is ratified by a plaque in the Country Music Hall of Fame.
Cowboy Jack Clement sustained an unprecedented and unduplicated career outside of the public eye. He and fame saw each other across a crowded street, waved and went their separate ways.
Though he was in and around recording studios all of his adult life, he didn’t release a solo album, All I Want To Do In Life, until 1978, when he was in his late 40s. The follow-up came a quarter century later with 2004’s Guess Things Happen That Way. And he rarely toured. So while Clement impacted myriad major careers, he did little to promote his own.
“I don’t remember it being any huge letdown,” he said, recalling the less-than-platinum sales of All I Want To Do In Life. “It took a few months before you realized you ain’t gonna outdo Elvis or something, and by that time I was off into something else.”
Cowboy was always off into something else. He was born in Whitehaven, Tennessee, a Memphis suburb, and left there to join the Marines. Stationed in Washington, DC, where he once saluted Princess Elizabeth as a member of the Marine Corps Drill Team, he began playing music professionally with Buzz Busby. After his discharge, he went with Busby to West Virginia and Massachusetts, then headed back south to Memphis to go to college.
Soon, he was fronting a dance band at the Eagle’s Nest, sharing a stage with Elvis Presley. He made a record on rockabilly singer Billy Lee Riley, then showed that record to Sun Records boss man Sam Phillips. Soon, Clement was engineering and producing records for Sun: His first day in that studio was spent recording Roy Orbison.
At Sun, Clement discovered Jerry Lee Lewis, wrote “Ballad of a Teenage Queen” and “Guess Things Happen That Way” for Johnny Cash, recorded culture-altering sessions (including Presley, Cash, Lewis and Carl Perkins’ “Million Dollar Quartet”), developed some life philosophies (“Whatever may be wrong with the world, at least it has some good things to eat” is one) and got fired over a boozy misunderstanding. He and Phillips remained friends throughout their lives, and, anyway, 1959 was a good time to leave Sun, which was flailing after losing Presley and Cash.
After a stint working at RCA for Chet Atkins, Clement moved to Beaumont, Texas and opened a record label and publishing firm that launched Dickey Lee’s “She Thinks I Still Care” and “Patches.” among other songs. Then he headed to Nashville, where he had the open ears and mind required to arrange the horns on Cash’s “Ring of Fire,” to produce records on a monumental, dark-skinned talent named Charley Pride during the South’s segregated mid-1960s and to produce unconventional song-poet Townes Van Zandt.
In 1970, he built Jack Clement Recording Studios, the first 16-track studio in Nashville.
Two years later, he founded JMI Records and Jack Music, working with future Country Music Hall of Famer Don Williams, and in 1975 he recorded friend Waylon Jennings’ greatest work, Dreaming My Dreams. After that, the Cowboys’ creative life centered around the Cowboy Arms Hotel & Recording Spa on Belmont Boulevard, where he recorded, mentored, made home movies, built ukuleles, smoked reefer, talked on the phone and offered advice when artists like Nanci Griffith and Iris DeMent came by to make the records that set the sonic template for what would come to be called Americana music.
Though most comfortable at the Cowboy Arms, he and protege David Ferguson headed back to Sun Records to produce some tracks for U2’s Rattle and Hum album.
And, of course, there’s more…..
He was Nashville’s Polka King.
He was Shakespearian, though he sometimes disagreed with the Bard. Shakespeare had a line about “Be all my sins remembered,” to which Cowboy retorted, “Don’t hand me all this shit about all my sins remembered. I want my sins forgot.”
He was joyful, and hilarious, though his gaze could go from bemused to withering in the passing of a note or the draining of a vodka glass. There were lessons in his smile, and in his glare.
He was a spectacular failure, losing a million dollars making a movie called “Dear, Dead Delilah,” for which he forgot to write a script.
He was a grand success, enabling early rock, classic country, timeless folk, bluegrass and Americana.
He was a brilliant conversationalist. When the Cowboy Arms burned in 2011, he sidled up to friend Marshall Chapman, who had come to console amidst the flame and ash. In his Elvis Presley bathrobe, the Cowboy asked, “You wanna buy a house?”
The Cowboy was everything, it seems, but a cowboy: He was frightened of horses, and favored Hawaiian shirts and comfortable shoes. Someone called him “Cowboy” years ago, and it tickled him.
His telephone number was 615-383-0330. It never changed, and everyone had it. And he wanted it that way.
He was probably a genius, though we never made him prove it. “I’ve got a bunch of people who say I’m a genius,” he often mused. “That don’t make me a genius. But you’ve got to be pretty smart to get all them people to say that on cue.”

Previously Unreleased Music From Hank Williams

25 Friday Apr 2014

Posted by David Bowling in Record World News

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Hank Williams

PREVIOUSLY UNRELEASED MUSIC FROM HANK WILLIAMS
SURFACES IN THE GARDEN SPOT PROGRAMS, 1950

On May 20, Omnivore Recordings will issue 24 songs and jingles
recorded in Nashville, and last heard generations ago

LOS ANGELES, Calif. (April 17, 2014) — Omnivore Recordings will soon release the full-length version of The Garden Spot Programs, 1950, featuring 24 performances, unheard for 64 years, from country music legend Hank Williams. Rescued from obscurity, these shows originally aired more than six decades ago; The Garden Spot Programs, 1950 collects material from the four episodes now known to exist. Due out May 20, 2014, the set follows the release of Omnivore’s collectible 10” vinyl Record Store Day EP sampler.

From hits to standards to songs rarely (if ever) performed, this is pure Hank Williams, including playful between-song banter. Featuring fully restored audio, The Garden Spot Programs, 1950 is an exceptional listening experience. Painstakingly transferred, restored and mastered from original transcription discs by Grammy Award winning engineer Michael Graves. Williams’ daughter, Jett, is excited that her father’s lost material is not only seeing the light of day decades later, but will be available on CD, digital and LP.

The CD packaging contains rare photos and liner notes from the collection of set co-producer and Williams biographer Colin Escott. Also available on LP, the first pressing will be on limited edition, translucent red vinyl (with black vinyl to follow), containing Escott’s informative notes and a download card.

Escott writes in his notes: “Set the time machine for early morning on KSIB-AM, Creston, Iowa. February 1950. Country radio was beginning its slow transition from live music to DJ shows. Live music and DJ shows were augmented by transcribed shows. After buying 15 minutes of airtime on small-market stations, sponsors would prerecord shows with well known artists, duplicate them, and ship them out on 12 or 16-inch transcribed discs.”

“That’s how Hank Williams came to be on KSIB in February 1950. Sandwiched between the local ‘live’ acts, it was almost as if he were visiting with Skeets and those Radio Rascals. His sponsor was one of the nation’s largest plant nurseries, Naughton Farms, seven hundred miles south in Waxahachie, Texas. Given that Naughton was a big player in the nursery business, Hank’s shows were almost certainly shipped to many small stations, but only KSIB’s copies survived. Those of us who have studied Hank’s life and career had no idea that these recordings existed.”

Any music from Hank Williams is worth celebrating. Discovering material that has been unheard for generations is monumental.

“It’s incredible to me that we’re still finding new recordings by my dad — great ones at that,” says Jett Williams. “No one even suspected that these recordings existed. We partnered with Omnivore Recordings for this release, and I especially love it that they’re taking my dad back to vinyl.”

Track Listing:
1. The Garden Spot Jingle
2. Lovesick Blues
3. A Mansion On The Hill
4. Fiddle Tune
5. I’ve Just Told Mama Goodbye
6. Closing/Oh! Susanna
7. The Garden Spot Jingle
8. Mind Your Own Business
9. Lovesick Blues
10. Fiddle Tune
11. At The First Fall Of Snow
12. Closing/Oh! Susanna
13. The Garden Spot Jingle
14. I Can’t Get You Off Of My Mind
15. I Don’t Care (If Tomorrow Never Comes)
16. Fiddle Tune
17. Farther Along
18. Closing/Oh! Susanna
19. The Garden Spot Jingle
20. I’ll Be A Bachelor ’Til I Die
21. Wedding Bells
22. Fiddle Tune
23. Jesus Remembered Me
24. Closing/Oh! Susanna

Tracks 1 – 6 taken from Naughton Farms Garden Spot Show #4
Tracks 7 – 12 taken from Naughton Farms Garden Spot Show #9
Tracks 13 – 18 taken from Naughton Farms Garden Spot Show #10
Tracks 19 – 24 taken from Naughton Farms Garden Spot Show #11

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Woodstock Comes To Blu-ray

24 Thursday Apr 2014

Posted by David Bowling in Record World News

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Blu-ray, Woodstock

Burbank, Calif. April 22, 2014 – *Woodstock: 3 Days of Peace and Music *-
the four-hour Director’s Cut of the 1970 Oscar�-winning documentary about
the landmark music event that featured some of the greatest rock ‘n’ roll
performers in history — will be released July 29 in a new Blu-ray *40th
Anniversary Limited Edition Revisited*.

This latest release will contain the complete *40th Anniversary Ultimate
Collector’s Edition *(*UCE*) plus brand new concert footage from Jefferson
Airplane, Joan Baez, Santana, The Who and more. There are new premiums – a
reproduction of Woodstock Festival tickets and articles from Life Magazine
and The New York Times- in addition to a re-issue of the Woodstock logo
iron-on patch.

*New Never-Seen Concert Footage: *

• *Book of Love*

• *Come Back Baby*

• *Everything’s Gonna Be Alright*

• *Helplessly Hoping *and* Marrakesh Express*

• *Mr. Tambourine Man a*nd* Tuning My Guitar*

• *Oh Happy Day *and* I Shall Be Released*

• *Persuasion*

• *Pinball Wizard*

*New Concert Footage – Previous Limited Availability: *

• *Mama Tried*

• *Not So Sweet Martha Lorraine*

• *Spanish** Castle** Magic*

• *Sparks*

• *Volunteers*

• *Woodstock** Boogie *

The bonus material from the original *UCE* contained two hours of
performance footage from many of the above groups as well as a featurette
gallery showcasing interviews with Martin Scorsese, Michael Lang, director
Michael Wadleigh, Hugh Hefner, Eddie Kramer (the concert’s original chief
on-site engineer and producer-engineer for Jimi Hendrix) and others who
chronicle the making of the festival and the film. Included are such
segments as *3 Days in a Truck, No Rain! No Rain! *and* Living Up To
Idealism.*

*WOODSTOCK** 40th Anniversary Limited Edition Revisited** Contents*

*(Previously Released)*

� *Woodstock**: 3 Days of Peace and Music Director’s Cut*

� *Woodstock: Untold Stories *18 performances

� *Woodstock**: From Festival to Feature* Interviews of the sights and
sounds of the 3 day event, from concert goers, promoters, crew and
musicians

*About Woodstock and the Film*

The Woodstock Music and Art Fair was held at Max Yasgur’s dairy farm in the
rural town of Bethel, New York on a sometimes rain-soaked weekend from
August 15 to August 18, 1969. Half a million people of all colors, shapes,
sizes, ages and sexes attended this historical event. They came by car, by
truck, a few even by helicopter, but the majority *walked* to what turned
out to be the most famous festival in history, an event that was
hailed by *Rolling
Stone Magazine* as one of the “50 Moments That Changed the History of Rock
‘n’ Roll.”

32 legendary musical acts appeared which, in addition to those mentioned
above, included The Band, Canned Heat, Joe Cocker, Creedence Clearwater
Revival, Janis Joplin, Richie Havens, John Sebastian and Sly & The Family
Stone.

Winner of the Academy Award� for Best Documentary Feature (and nominated
for Best Editing and Best Sound), *Woodstock *was produced by Bob Maurice
and directed by Michael Wadleigh, who assembled an outstanding crew that
included young filmmakers at the start of their careers Academy
Award�winners: director Martin Scorsese
[1] (*The* *Wolf of Wall Street*) and editor Thelma
Schoonmaker[2] * (The Wolf of Wall Street)*.
Michael Lang, Artie Kornfeld, John Roberts and Joel Rosenman created the
original Festival.

*Woodstock**: 3 Days of Peace and Music Director’s Cut *

*40th Anniversary** Limited Edition Revisited*

Street Date: July 29, 2014

Henry Mancini Soundtrack Albums To Be Re-released

19 Saturday Apr 2014

Posted by David Bowling in Record World News

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Henry Mancini, Pink Panther

*April 16, 2014 – New York, NY *- Sony/Legacy Recordings will celebrate
American composer Henry Mancini (April 16, 1924 – June 14, 1994) with a
variety of collectible commemorative titles to be released throughout
2014. The new official Henry Mancini website (www.HenryMancini.com) will
launch on April 16, 2014, the composer’s 90th birthday.

The 50th Anniversary of *The Pink Panther – Music from the Film Score
Composed and Conducted by Henry Mancini *will be commemorated with the
release of a limited edition, individually numbered 12″ PINK VINYL LP
created for Record Store Day 2014, celebrated at independent record stores
worldwide on Saturday, April 19, 2014. Mancini’s indelible “Pink Panther
Theme,” first heard in the archetypal ’60s crime caper comedy starring
Peter Sellers and directed by Blake Edwards, is, in the current digital
era, the #1 most-streamed song in the entire Sony Music catalog. The
original Pink Panther soundtrack album was given a Grammy Hall of Fame
Award in 2001 and is being expanded for a 2014 50th Anniversary Edition to
include bonus material.

An 11 CD deluxe box set comprising the best of Henry Mancini’s classic film
soundtracks is in the works for 2014, while a retrospective tribute,
featuring catalog and new recordings of the composer’s unforgettable songs,
is currently under development with details TBA.

Born Enrico Nicola “Henry” Mancini in Cleveland’s “Little Italy,” the
quintessential American soundtrack composer entered the music industry at
the end of World War II, becoming a pianist and arranger for the newly
reformed Glenn Miller Orchestra in 1946. By the mid 1950s, Mancini had
written music for more than 100 movies, from “The Creature from the Black
Lagoon” to Orson Welles’ “Touch of Evil.” Mancini’s score for “The Glenn
Miller Story” earned him his first Academy Award nomination; out of his 18
nominations, he’d win four Oscars. Throughout his career, he released
close to 250 album titles and scored more than 190 films.

Henry Mancini composed music that’s woven into the fabric of American pop
culture: The Pink Panther Theme, the “Peter Gunn” bass line, “Moon River”
(from “Breakfast at Tiffany’s”), “Days of Wine and Roses” and more.

Mancini holds the record for most Grammy nominations (72), out of which he
won 20. In addition to his four Academy Awards, he won a Golden Globe,
secured two Emmy nominations and was honored in 2004 with a United States
Commemorative Postal Stamp.

Natalie Merchant Confirms Summer Tour And New Studio Album

19 Saturday Apr 2014

Posted by David Bowling in Record World News

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Natalie Merchant

*NATALIE MERCHANT CONFIRMS SUMMER TOUR*

*NONESUCH RECORDS TO RELEASE NEW SELF-TITLED ALBUM MAY 6, FIRST COLLECTION
OF ENTIRELY ORIGINAL SONGS IN 13 YEARS*

*NPR MUSIC’S NEW “ALL SONGS TV” PREMIERES VIDEO FOR*
*”GIVING UP EVERYTHING”*

Photograph by Dan Winters

“Merchant is one of the most successful and enduring alternative artists to
emerge
from the Eighties – intact and uncompromised.”�”*Vogue*

“At the root of her success are two qualities: an unwillingness to
compromise, and total sincerity. In a world of glib, heavily produced pop
stars, Merchant stands out.”�”*Guardian*

*Nonesuch Records* is set to release *Natalie Merchant*’s new self-titled
album on *May 6, 2014*. In support, the multi-platinum singer will embark
on a *16-date summer tour* across the U.S. Tickets are available at
nataliemerchant.com ,
please see below for tour dates.
This recording marks Merchant’s sixth solo collection and her first of
entirely original songs in 13 years. The brand new Dan Winters-directed
video for the track “*Giving Up Everything*” premiered on *NPR
Music*and can
be seen on
YouTube . *Natalie
Merchant* is available for pre-order at
nonesuch.com,
nataliemerchant.com ,
and iTunes ; an
instant download of the track “Ladybird” is included. Please see complete
track listing below.

This self-produced album is the work of a mature artist with a clear and
distinctive voice. Long appreciated for the depth and substance of her
writing, Merchant has never shied away from weighty themes or subjects for
her lyrics. She describes the new release as informed “by experience and
keen observation,” dealing with issues of “love gained and lost, regret,
denial, surrender, greed, destructiveness, defeat, and occasional triumph.”

Combining three decades of experience in song writing and album making,
Merchant’s production style is nuanced and pure. Her voice is framed by a
balanced blend of electric and acoustic sound throughout with musicianship
of exceptional quality. String, brass, and woodwind arrangements mingle
with Hammond organ and electric guitar improvisations. Players include John
Medeski, Shawn Pelton, Clark Gayton, Uri Sharlin, Jesse Murphy, Erik Della
Penna, Gabriel Gordon, and guest vocalists Simi Stone, Elizabeth Mitchell
and gospel singer Corliss Stafford.

Merchant’s career began when, as a college student, she joined the seminal
alternative rock band 10,000 Maniacs. Serving as lead vocalist, lyricist,
and sometime pianist, Merchant released five critically acclaimed studio
albums with the band, including the platinum-selling *In My Tribe*
(1987), *Blind
Man’s Zoo* (1989), *Our Time in Eden* (1992), and *MTV Unplugged* (1993).
Merchant left the group in 1993, after 12 years, to record her first solo
album. *Tigerlily* (1995) was certified five-times platinum, and was
followed by the platinum *Ophelia* (1998), *Natalie Merchant Live* (1999),
and *Motherland* (2001).

In 2002 Merchant departed Elektra Records, and a contractual relationship
she had been bound to since singing at the age of 19, in 1984. She took an
extended hiatus from pop music and major labels, independently releasing a
collection of folk music, *The House Carpenter’s Daughter* (Myth America,
2003), which also coincided with the birth of her first child. For the next
seven years she lived quietly in New York’s Hudson Valley devoting herself
to family and community, whilst taking opportunities to collaborate with
other musicians and strengthen her commitment to activism and philanthropy.
In 2005 she was appointed to serve a four-year term on the board of New
York State Council on the Arts (NYSCA). In addition she worked with a
diverse array of artists and organisations, including Ladysmith Black
Mambazo, Gavin Bryars and the Royal Shakespeare Company, Cowboy Junkies,
David Byrne, Amnesty International, The Perkins School for the Blind, the
University of Massachusetts’ Give US Your Poor, and the Boston Pops
Orchestra.

In 2010, Merchant returned with a thematic double album entitled *Leave
Your Sleep*, her debut for Nonesuch Records. A meditation on childhood and
mothering, the anthology comprised 19th and 20th century American and
British classic children’s poetry by the likes of Robert Louis Stevenson,
Christina Rossetti, Robert Graves, Edward Lear, and E.E. Cummings that
Merchant had set to music. She collaborated with 130 musicians in a wide
variety of musical styles, handpicking musicians who represent the best in
their fields, including the Wynton Marsalis Quartet, Medeski Martin & Wood,
The Fairfield Four, The Chinese Music Ensemble of New York, the Ditty Bops,
the New York Philharmonic, The Klezmatics, Lúnasa, and Hazmat Modine.
Merchant’s fascination with the poets led her to research their lives and
write an 80-page companion book. The result was praised by critics on both
sides of the Atlantic, with *The Wall Street Journal* calling it “an ideal
fit between poetic and musical forms,” and the *Independent*, “a hugely
ambitious and beautifully realized double album.”

Since the album’s release, in 2011 Merchant was honored for the project as
a New York Public Library Lion in 2011, along with authors Jonathan
Franzen, Ian McEwan, and playwright Tony Kushner. That same year, NYC
public school children studied a three-month unit on poetry and music with
a curriculum drawn from the album. In 2012, Merchant teamed up with
award-winning children’s book illustrator Barbara McClintock for a new
picture book based on *Leave Your Sleep* published by Farrar Straus Giroux.
Inspired by her 2010 TED
Talkabout the
project, Merchant has also developed a live children’s orchestral
concert that integrates projections of McClintock’s illustrations and has
presented this educational program to thousands of children in several US
cities, including Carnegie Hall this spring.

For the past five years Merchant has maintained a schedule of guest soloist
concerts with major symphonies throughout the US, with
an orchestral repertoire drawn from her catalogue of songs and new
compositions. She remains dedicated to a wide array of social justice and
environmental causes. Recently, her attention has been focused on the
threats to public health and the environment posed by the natural gas
extraction technique of hydraulic fracturing. In 2013 she spearheaded the
making of a protest concert film, *Dear Governor*
*Cuomo*,
with New Yorkers Against Fracking, actors Mark Ruffalo and Melissa Leo, and
film makers Jon Bowermaster and Alex Gibney. This month, *SHELTER: A
Concert Film to Benefit Victims of Domestic
Violence*,
directed and produced by Merchant, will have its first public screening in
connection with Eve Ensler’s annual One Billion Rising campaign. Merchant
is exploring a new approach to protest through filming multi-media events
that inform the public, heighten the profile of community organizers, and
encourage action. “It’s not enough for me anymore to just show up and sing
a song at a benefit and feel I’ve done my bit. I want to offer my skills to
create more comprehensive campaigns on behalf of over-strapped and
under-staffed non-profits.”

* TOUR
DATES*
July 3 Ulster Performing Arts
Center Kingston, NY
July 5 The Mahaiwe
Theatre Great Barrington, MA
July 6 Ridgefield
Playhouse Ridgefield, CT
July 8 State
Theater New Brunswick, NJ
July 9 American Music
Theatre Lancaster, PA
July 11 Keswick
Theatre Glenside, PA
July 12 Lincoln
Theatre Washington, DC
July 13 Lincoln
Theatre Washington, DC
July 15 Flynn Center for the Performing
Arts Burlington, VT
July 16 Shubert
Theatre Boston, MA
July 18 State
Theatre Portland, ME
July 19 Tarrytown Music
Hall Tarrytown, NY
July 20 Westhampton Beach Performing Arts
Ctr Westhampton Beach, NY
July 22 Carnegie Music Hall of
Homestead Munhall, PA
July 24 Chicago
Theatre Chicago, IL
July 25 The Pabst
Theater Milwaukee, WI

*NATALIE MERCHANT* *TRACKLIST*
1. Ladybird
2. Maggie Said
3. Texas
4. Go Down, Moses
5. Seven Deadly Sins
6. Giving Up Everything
7. Black Sheep
8. It’s A-Coming
9. Lulu (Introduction)
10. Lulu
11. The End

Little Feat Concert From 1976 To Be Released

10 Thursday Apr 2014

Posted by David Bowling in Record World News

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Little Feat, Lowell George

New York, NY (March 24, 2014)– On April 22, *Eagle Rock
Entertainment*will open the vaults to reveal *Little
Feat’s* *Live In Holland 1976* as a CD + DVD set [Pre-book Order Date March
28, MSRP 17.98]. This is the first ever release of this concert in any
format.

The CD+DVD set captures *Little Feat’s* barn-burnin’ performance at the
famous Dutch festival Pinkpop on June 7 1976, and features the band’s
classic line-up performing many of their best known tracks. The band
includes *Lowell George* (vocals, guitar); *Bill Payne* (keyboards,
vocals); *Richie Hayward* (drums); *Paul Barrere* (vocals, guitar); *Sam
Clayton* (percussion) and *Kenny Gradney* (bass). “Rock And Roll Doctor,”
“Dixie Chicken,” “Feats Don’t Fail Me Now,” “Skin It Back,” “Teenage
Nervous Breakdown,” “Fat Man In A Bathtub,” and many more beloved *Little
Feat* tunes are highlighted on *Live In Holland 1976.*

*Little Feat* is one of the most influential American bands of the
seventies. Founded by *Lowell George* (formerly of Frank Zappa’s Mothers of
Invention) and *Bill Payne* in L.A. in 1969, *Little Feat* produced a
series of highly original albums over the next decade. They mastered an
eclectic blend of rock ‘n’ roll, blues, country, folk, soul and jazz before
the death of *Lowell George* in 1979 ending the first phase of the band’s
existence. The band’s earthy, organic approach blended with their top-notch
musicianship solidified their legacy in the musical landscape. The four
surviving members of this classic line-up are still performing and
recording as *Little Feat* today.

For a look at *Live In Holland 1976*, check out these video clips:

*Rock And Roll Doctor* –

*Feats Don’t Fail Me Now* –

*Eagle Rock Entertainment* is the largest producer and distributor of music
programming for DVD, Blu-Ray, TV, Audio and Digital Media in the world.
*Eagle* works directly alongside talent to produce top quality, High
Definition and 3D programs, both concerts and documentaries, including The
Rolling Stones, Pink Floyd, The Who, Queen, The Doors, Jeff Beck, U2, Peter
Gabriel, Paul McCartney and Ozzy Osbourne. Eagle is a Grammy Award winning
company and has received over 30 multi-platinum, over 50 platinum and over
90 gold discs, worldwide. *Eagle Rock Entertainment* has offices in
London, New York, Toronto, Paris and Hamburg.

For more information regarding this and other *Eagle Rock*
*Entertainment*releases, contact Carol Kaye at
Carol@Kayosproductions.com. Follow us on Facebook at
http://www.facebook.com/KayosProductionsInc
.

Follow *Eagle Rock Entertainment* at:
Facebook: http://www.facebook.com/EagleRockEnt
Twitter: http://www.twitter.com/EagleRockNews
YouTube: http://www.youtube.com/user/eaglerocktv

* Track Listing:*
1) Skin It Back
2) Fat Man In A Bathtub
3) One Love Stand*
4) Rock And Roll Doctor
5) Oh Atlanta*
6) All That You Dream
7) Cold, Cold, Cold
8) Dixie Chicken
9) Tripe Face Boogie
10) Feats Don’t Fail Me Now
11) Teenage Nervous Breakdown

*only available on the CD portion

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